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Ticonderoga Publications (2010)
ISBN: 978-0-9806288-8-3
Reviewed by Guy Salvidge
Angela Slatter has written and published a great deal of stories in the “reloaded fairytale” genre in recent years, many of which are collected in this volume from Ticonderoga and also in Sourdough from Tartarus Press. The Girl With No Hands and Other Tales won the Aurealis Award in 2010 for Best Collection, and it’s not hard to see why. Slatter reworks a host of traditional fairytales, many of which will be familiar to all but some which are more obscure, putting a fresh, feminist slant on these already macabre offerings.
Ticonderoga Publications (2009)
ISBN: 978-0-9803531-4-3
Reviewed by Guy Salvidge
This edition of Ghost Seas is a 2009 reprint of the original 1997 collection by US writer Steven Utley. Utley is a member of a talented crowd of Texans who made names for themselves in the ’70s. Other members of the Turkey City Writer’s Workshop include Lisa Tuttle, Bruce Sterling and Howard Waldrop, the latter of whom is an amazing (and amazingly oddball) writer himself. There are some similarities between Waldrop and Utley in terms of their writing, and they’ve collaborated on at least one major story, “Custer’s Last Jump,” as well as the delightfully whimsical “Willow Beeman” in this collection. Utley’s solo stories are impressive in their construction, but even more so in terms of the range of subjects and genres employed. This writer’s reluctance to produce novels, or to stick to one genre, is part of the reason he remains an “Internationally Unknown Author”, as the Afterword helps to explain.
Ticonderoga Publications (2010)
ISBN: 978-0-9806288-6-9
Reviewed by Guy Salvidge
Kaaron Warren’s collection Dead Sea Fruit, which was released by Ticonderoga Publications last year, is quite simply one of the best single author collections I’ve read. In his introduction, Lucius Shepard (no slouch in the art of short story writing himself) claims that Warren is one of the few writers who is both a stylist and a storyteller, and he’s right. Some of these stories are not only technically masterful, but emotionally gruelling, horrific, and just plain awesome.
In the title story, “Dead Sea Fruit”, our protagonist is a dentist tasked with visiting the ward of the Pretty Girls, women so weak from anoxeria that “they don’t have the strength to defecate” (p21). The fabled Ash Mouth Man seems to be the source of the Pretty Girls’ worries, as once he kisses them (and nobody can resist) everything they eat tastes of ashes. Not even our protagonist is immune to the Ash Mouth Man’s charm, despite her expertise in oral hygiene.
Ticonderoga Publications (2009)
ISBN: 978-0-9803531-0-5
Reviewed by Guy Salvidge
Lewis Shiner is known to me as one of the early cyberpunk authors, but his collection Love In Vain isn’t cyberpunk. It’s not even science fiction for the most part. It is, however, very good. Published by Ticonderoga in 2009, this collection of nearly two dozen stories showcases Shiner’s abilities at lengths ranging from flash fiction to novelette. Personally I found his longer works more interesting, not least the newer, previously uncollected “Perfidia”.
In “Perfidia”, Frank Delacorte, a collector with a penchant for eBay auctions, stumbles on a highly irregular recording of a Glenn Miller song. In his attempt to unravel the mystery, Frank travels to Paris to trace the recording back to its original owner. Meanwhile, Frank’s father, who had been one of the American soldiers that liberated the Dachau concentration camp at the end of World War II, lies dying in a US hospital. Shiner’s depiction of Paris circa 2000 is particularly atmospheric, and the story of Miller’s last tape is original and engaging. My only complaint is that the story ended long before I would like it to, which I guess is a compliment to Shiner’s technique, given that “Perfidia” is around 50 pages in length.
Ticonderoga Publications (2011)
ISBN 978-1-921857-01-0
Reviewed by Jason Nahrung
Bluegrass Symphony is the debut collection from Lisa Hannett, a purpose-written suite of stories (with one reprint) that is quite extraordinary. “There’s something very strange going on,” writes Weird Tales editor Ann VanderMeer in her foreward, and it’s something of an understatement. The dozen stories are set in a mythical state that is a fractured mirror of the American South, where chickens are fortune-telling chooks and rodeo stars vie for wedded bliss once the minotaurs are sated, where Pegasus analogs share the trails with semi-trailers and sticks and stones can do far more than merely break bones.
Some of the stories bridge the hazy county line between fantasy and magic realism, where the extraordinary is rendered everyday in the eyes of the characters, making it all the more uncanny for the reader. Hannett, a Canadian we happily claim as an Australian, evokes a wonderful sense of place through the patchwork quilt of these stories, as told through the eyes and the vernacular of her characters. She brings a broad palette to the landscape – first person, second person, a mix of tenses – and all firmly anchored in the reality of her characters, so much so the reader risks saying ain’t and yerself for days after.
Ticonderoga Publications
ISBN: 978-0-9806288-3-8
Reviewed by Lorraine Cormack
Make Believe is another high quality collection from Terry Dowling, containing twelve previously published short stories. They span a period from 1985 to 2003, underlining just how long Dowling has been publishing quality fiction.
The majority of the stories sit in that area of speculative fiction that enable people who love categories to argue violently about whether they’re science fiction or fantasy. I’m not sure it really matters; Dowling’s worlds are fully realised and entirely believable, and the stories he sets in them are often fascinating.
Ticonderoga Publications
ISBN: 978-0-9806288-2-1
Reviewed by Lorraine Cormack
Basic Black is a collection of dark fantasy stories by Terry Dowling; it won the 2007 International Horror Guild Award for Best Collection, but I believe was not published in Australia until 2009. This is surprising, as Dowling is one of Australia’s more prolific speculative fiction authors; but then again, if you read short fiction at all you’ve probably come across at least some of these stories before. First publication dates range from 1984 to 2006.
So, is it worth picking up a collection with contents that date so far back, and where you’ve likely read some of it before? Absolutely. Dowling is an excellent writer, and one who flexibly covers a wide range of themes, styles and ideas. The older stories haven’t dated and remain powerful, and the newer stories continue to explore new territory.







